I have been reading and enjoying Louise Erdrich since the
eighties, so I am both pleased, and a bit surprised, to find that her
fourteenth novel is my new favorite of them all. Critics seem to feel the same because The Round House is the recently
announced winner of the 2012 National Book Award for fiction. (Erdrich was also a National Book Award finalist
in 2001 for The Last Report on the
Miracles at Little No Horse.)
Joe, very much a product of his bookish parents, is an avid
reader known to delve into his father’s law books on occasion. He very much admires his parents and hopes to
follow in his father’s footsteps someday.
But Joe’s world is shattered one Sunday afternoon in 1988 when his
mother comes home bleeding and traumatized by the violent attack she has
suffered. As it turns out, Geraldine’s
physical injuries will heal quicker than her emotional ones. As the weeks go by, she refuses to eat,
bathe, or even leave her bedroom.
Because Geraldine refuses to identify her assailant, or even
to speak of the attack, Joe and his father decide to investigate the crime
themselves. But, while Bazil often
bounces ideas and random theories off his son, he has no idea that Joe is
conducting a dangerous investigation all his own – one that could easily ruin
Joe’s future or even cost him his life.
Louise Erdrich |
At the heart of The
Round House are the convoluted jurisdictional issues pertaining to crimes
involving Native Americans. Depending on
where a crime takes place, its investigation is the responsibility of either Federal,
State, or Tribal Police departments – but only of one of them. For that reason, the inability to determine the
precise location of a crime, which is exactly the situation in Geraldine’s
case, is the worst thing that can possibly happen to a crime victim. That a white man, even for crimes obviously
committed within the boundaries of the reservation, cannot, by law, be
investigated by the Tribal Police or prosecuted in Bazil’s courtroom, provides
the final insult.
Because Joe is telling his story in hindsight, from the
viewpoint of the adult he has become, he is able to explore the more subtle issues
that never crossed his mind in 1988. Does
the unchecked threat of pure evilness justify retaliatory violence? Are there circumstances under which it
becomes one’s personal responsibility to disobey the law? When does the real world trump the ideal
world? Erdrich uses Ojibwe legend and
tradition to make a strong case that the old ways are still sometimes the best
ways.
The Round House is
a grim reminder that Native Americans still suffer many of the same indignities
they were first subjected to more than a century ago.
(Review Copy provided by Publisher)
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