When the Light Goes (2007) - Larry McMurtry

 

When the Light Goes is the fourth book in Larry McMurtry’s five-book Thalia, Texas series. The main character in the series is Duane Moore, who was a high school student when introduced in the first book in the series, The Last Picture Show. In this one, Duane is in his sixties, and he’s feeling a bit mortal even if he doesn’t want to admit it to himself yet. 

Duane's wife has been dead for two years, his son has taken over the family oil business, and Duane has pretty much become an eccentric recluse who just rides all over the county on his bicycle. And then Duane senses himself coming back to life a little when his son hires a brilliant young geologist who specializes in finding productive oil reserves in fields thought already to have been played out. It doesn’t hurt that she’s as attractive to Duane as she is brilliant.

But Duane is not a young man anymore, and his heart has other ideas about his immediate future.

McMurtry published only two novels after When the Light Goes, and by this point he was starting to explore end-of-life and legacy issues in his fiction. Duane urgently needs open heart surgery if he is to survive much longer, but he is largely ignoring the problem despite his steadily worsening condition. Despite the age difference between Duane and Annie, their love story is mostly a heartwarming one, and McMurtry is honest and blunt about whatever problems (be they sexual ones or compatibility-based ones) the age difference does cause. 

The interesting thing about what Duane goes through, is that McMurtry himself lived through a very similar situation at age 55 when he had quadruple bypass surgery. He was connected to a heart-lung machine for something like five hours, and came out of the experience a broken man. He felt that he had truly died on the operating table, and that his old personality had shattered and was never coming back. McMurtry even hung the term “largely posthumous” on himself - and he believed it to be an apt label. He went into a deep depression and spent over a year lying on his sometime co-writer Donna Ossana’s Tucson couch and staring out the window. He wouldn’t talk, wouldn’t write, and was completely unable to read for pleasure. Ossana probably saved his life by finally getting him to co-write Streets of Laredo with her at her kitchen table. But whether McMurtry ever completely got over the experience is another question.

I suspect that the fictional relationship between Annie and Duane was one very meaningful to McMurtry, and I think that adds some significance to When the Light Goes that the novel would not otherwise deserve. This is not one of McMurtry’s best books, but it is one his fans will want to read in order to extend the Duane Moore story for one more chapter, if for no other reason.

Latest Book Haul: From How to Commit a Postcolonial Murder to Around the World in Eighty Days

 After buying almost nothing for most of a month, I’ve been on a little e-book buying spurt the last couple of days. I’ve purchased a combination of recently published books, older books, and back catalogs from some of my favorite authors. Among them are:

I can’t even begin to count the number of short stories I’ve read over the years, but I can’t recall a single one by Lorrie Moore. Lately, though, I’ve run into her name everywhere I look, and it’s all extremely positive about her skills as a storyteller. So now I have to see what I’ve been missing. I’m not sure how many stories are in this collection, but the book is almost 700 pages long, so plenty enough to satisfy my curiosity. (2009) 

I’m on kind of a nostalgic quest to find the style of science fiction that I enjoyed as a kid, mostly stories about aliens and the exploration of distant planets - and most definitely not the Star Wars kind of shoote-em-up thing. Godfall (2023) seems to fit. Instead of the massive asteroid that seems to be headed for a direct hit on Earth, a three-mile tall alien corpse gently falls into a small town in Nebraska. Then, after the local murders begin, the sheriff in charge of keeping order in that small town has to figure out the link between the murders and the dead alien. This is book one of a trilogy. 

I’ve heard lots of good things about How to Commit  a Postcolonial Murder, and thought it might make a good change of pace read. It’s a recent debut novel, but I’m hoping the AI impact on it is minimal and that Nina McConigley actually put in the work herself. It’s the story of two Indian-American sisters who decide that their uncle, fresh from India, needs to die - sooner rather than later - for a good reason.

I’m not sure when I’ll be ready to read this Sherman Alexie memoir, but I grabbed a copy after my recent review of his short story collection Blasphemy. You Don’t Have to Say You Love Me is said to be a raw account of Alexie’s childhood in which he addresses the culture of sexual violence on the Spokane Indian reservation on which he grew up - including his mother’s rape as well as his own double rape. I’ll have to be in the right mood for this one, but I hope to learn more about how this kind of sexual aggression is so commomnly passed from generation to generation. (2017)

I have fond memories of reading Jules Verne’s Around the World in Eighty Days when I was a kid, so I decided to pick up this 100th Anniversary Collection Edition. It was brought back to mind last month when I stumbled on an adaptation of the novel being featured on Prime Video right now. I only watched the first episode of that new series, but the book has been on my mind ever since, so I grabbed a copy. (1873)

I read a lot of pulp fiction when I was in my teens, including the more popular westerns of the era. One writer I kept coming back to, because his books seemed more realistic to me even then, was Alan LeMay. The Smoky Years is a 1935 novel that he wrote about the range wars that caused much of the violence associated with the peak of the cowboying days. It tells the story of a cattle baron trying to hold on to his empire while being challenged by a newcomer to the area. The characters are of LeMay’s usual gritty variety, and in the end The Smoky Years turns out to be a revenge story. In addition to this LeMay title, I picked up copies of: Thunder in the Dust, West of Nowhere, and Winter Range. (I already have copies of his two classic: The Unforgiven and The Searchers.)

Unless the buying bug hits me hard again, that’s all the book-buying I intend to do in April. But May’s a whole other month...

Haruki Murakami, Russel Banks, and Larry McMurtry Hit the Reading List

Over the past couple of weeks, my currently-reading list has shrunk all the way down to four books. And even one of those is my perpetual-read, the Mark Twain biography by Ron Chernow of which I reached the forty percent mark just today  - with still over 600 pages left to go. I have, though, added three very different books to my current reads, and I’m enjoying each of them:

I’ve only read Haruki Murakami once before, and that was his 1Q84, a kind of dystopian, parallel universe take on Orwell’s 1984. Colorless Tsukuru Tazaki and His Years of Pilgrimage is very different from that one. Tsukuru is a young Tokyo college student whose four lifetime friends (two boys, two girls) back home suddenly ghost him. He gets a brief message to that effect from one of them, and they disappear from his life. Now at age 30, he is still scarred from the experience and looking for answers. 

I’m a fan of Russell Banks novels, but even though I got hold of a review copy of Rule of the Bone way back in 1994, I’m yet to read the darn thing. So here goes. HarperCollins describes the book this way: “The new rule was basically don’t bother your parents and don’t bother the cops or one of them will sic the other on you, because to them, to all of them you’re just another homeless stoned dropout dealing small-load boom to the locals.” From what I’ve seen from Chapter 1, the unnamed narrator is fourteen when the story begins, so I suppose this is a coming-of-age novel of sorts. 

Larry McMurtry’s When the Light Goes is the fourth book in his “Thalia, Texas" series, a series also called by some the “Duane Moore" series. Duane is the central character in McMurtry’s famous The Last Picture Show, and by the time this book opens he’s gone from around 17 years of age to about 65 years old. Duane, though, is still pretty much 17 in his head, and he still calls his own shots in life. This one ends with Duane undergoing major heart surgery, an experience that McMurtry himself had a difficult time getting past emotionally. I’m curious to see how McMurtry handles this part of the novel, considering the terrible depression that resulted from his own experience with the surgery.

I’ve also purchased a handful of e-books I want to talk about, but I’ll save those for a later post. Including the back catalog of one of my favorite western writers, Alan LeMay, it’s turned out to be a pretty big handful. 

Blasphemy (2012) - Sherman Alexie

 

Blasphemy is a collection of thirty-one short stories written by a favorite storyteller of mine, Sherman Alexie. It should be noted, however, that Mr. Alexie got caught up in that whole “Me Too” movement back in 2018 after perhaps as many as fifty women came forward to say that he had sexually harassed them. The ensuing fallout was real and deserved: scholarships with his name on them got renamed, for instance, and although Alexie publishes weekly on Substack these days, I don’t know of a single major publication of his since his 2017 memoir You Don’t Have to Say You Love Me. I have been told that some bookstores refuse to carry even his previously published work now. That’s quite a fall from grace for someone who has won the National Book Award, the PEN/Hemingway, the PEN/Faulkner, and the PEN/Malamud among other awards. 

Myself, I have been able to separate the man’s work from his personal life (at least to this point), but I think it is only fair to mention all of this because I know that many of you, perhaps even most of you, will not want to do the same. Thus the full disclosure.

Some of the stories in Blasphemy were previously published in magazines such as Harper’s, Narrative, and The New Yorker. Each of the stories features Indian (as Alexie himself calls his people) characters and settings, most of them being of the Spokane tribe. Alexie himself grew up on the Spokane Indian Reservation about an hour from Spokane, Washington. 

Alexie has a special talent for creating fully-fleshed characters within the space of just a few pages, often using a cutting sense of humor and irony to make the characters or their situations more relatable to his readers. Here are a few examples of his style: 

“So I felt sorry for the protestors who believed in what they were doing. They were good-hearted people looking to change the system. But when you start fighting for every Indian, you end up defending the terrible ones, too.” (From “Cry Cry Cry”)

 

'“I saw you in my head,” Frank said. “You’re supposed to be dead. I saw you dead.”

“You have blurry vision,” said Harrison”’  (From “What Ever Happened to Frank Snake Church)

“After Norma left me, I’d occasionally get postcards from powwows all over the country. She missed me in Washington, Oregon, Idaho, Montana, Nevada, Utah, New Mexico, and California. I just stayed on the Spokane Indian Reservation and missed her from the doorway of my HUD house, from the living room window, waiting for the day that she would come back.”  (From “The Approximate Size of my Favorite Tumor”)

'“Your father was always half crazy,” my mother told me more than once. “And the other half was on medication.”’  (From “What My Father Always Said…”)

The stories in Blasphemy range from lighthearted ones to deadly serious ones, and some of them can be difficult to categorize because Alexie always manages to see a good bit of dark humor where you might least expect to find it. Some of the stories are set on the reservation, some in Spokane, and a few in Seattle, but no matter where they take place, Alexie’s characters are all fighting the same fight for survival. And the odds always seem to be stacked against them. 

 For example, in “This Is What It Means to Say Phoenix, Arizona,” he says of his main character:

“The only real thing he shared with anybody was a bottle and broken dreams."

And in “Protest” he offers this observation about a character:

“Jimmy’s last act was to disappear, and that was probably the most Indian thing he had ever done."

A Sherman Alexie short story is always interesting despite the inherent despair that he so often writes about. Alexie can be particularly revealing when writing through the eyes of a white character interacting with the Indians he knows so well, an approach he often uses, and one that works well for him.

So there you have it. If you still want to read Sherman Alexie, Blasphemy is a good place to start. He is, I think, still an important writer for readers who want to get a close, frank look at the Native American culture of today. That he let himself down, and disappointed his people to the degree that he did is sad for all concerned - especially for his victims, most of whom were fellow Native Americans.

Louise Penny Made Me Do It - And I Really Wish She Hadn't

 

Louise Penny made me do something today, I never dreamed I would be doing in a million years: abandon her latest novel, The Black Wolf, at the eighty-page mark with no intention of ever picking it up again. Now I only wish I could get my $30 back.

I have been reading Penny for years, and have read eighteen of the nineteen novels she’s published prior to The Black Wolf, enjoying them so much that she became one of my go-to authors a long time ago. But maybe I should have seen this coming because I did struggle at times with The Grey Wolf, the novel preceding this one. I hoped, however, that since I read that one during a period in which I was struggling to concentrate on just about everything I read, that the problem was with me and not with the book.

Penny quickly nipped those hopes in the bud by kicking off The Black Wolf with a fifty-page rehash of The Grey Wolf plot - a plot that tended to bore me the first time I was exposed to it. It’s all a too fantastical conspiracy theory in which those at the top of Canadian politics conspire with American businesses to allow millions of Canadians to be poisoned for corporate profit. In the process, Canada’s pristine forests and lakes will also be destroyed, and it is only a “Hail Mary” moment from Inspector Gamache that saves the day. Making it all read even worse, the tone is at times overly preachy and condescending, and the book’s pacing is dreadfully slow. But I made it through, and kind of dreaded the promised sequel.

Well, that sequel is The Black Wolf. And this one doubles down on everything wrong with The Grey Wolf.

I made it through the fifty-page Grey Wolf recap, albeit all the while getting grumpier and grumpier as I read on. And now I’ve waited another thirty pages for something new to happen, only to read numerous times that “something bad is coming.” Well enough of this. The last two books have made for such slow reading that now I’m not even sure that I’m willing to take a chance on book twenty-one in the series when it is eventually published. 

Penny has become so political in her messaging that her books are not fun for me anymore. The Black Wolf has just enough of an anti-American tone and global warming hysteria to it that I find it more irritating/boring than entertaining. And I spent my money to be entertained, not preached at. From what I understand, Penny even canceled her American book tour launch of The Grey Wolf after Trump was elected, effectively, I imagine, sacrificing a few thousand book sales in the process. While I may admire her dedication to her principles, this is not the kind of “escapism" that I want to spend my time or money on.

And that makes me sad because Inspector Gamache has been one of my favorite fictional characters for twenty years - and Three Pines one of my favorite fictional settings. 

Hamnet (2020) - Maggie O'Farrell

 

“History gives you the facts, and fiction gives you the truth of the facts.” (Unattributed quote from Nancy Pearl in The Writer’s Library)

I bought Maggie O’Farrell’s Hamnet a couple of years ago but forgot I had a copy until reminded of it by the recent release of the book's movie version. That’s a problem I often have with e-books: “out of sight, out of mind.” But I suppose that’s story for a another time.

Hamnet impressed me in several ways, but what really surprised me most about O’Farrell’s construction of the novel is how secondary a character William Shakespeare turns out to be. Too, O’Farrell's central character, despite the novel’s title, is Agnes, Shakespeare’s wife, not Hamnet, his son. And unless I missed a particular reference or two, even when the author or one of the book’s characters refer to Shakespeare, it is never by name, always only as “the husband” or “the tutor,” etc. It is Agnes who holds this family together in the roughest of times, and everything of consequence that happens in Hamnet either happens directly to her or the focus shifts to how she reacts to the event.

Hamnet is the story of a young man, eager to get away from his domineering and abusive father, who falls in love with a slightly older woman, herself living under the thumb of a stepmother whom she intensely dislikes. Despite the disapproval of both their families, the two find a way to marry, and they live for several years with the man’s parents while having three children of their own. Shakespeare, though, finally reaches the breaking point with his father and leaves for London - supposedly to extend the family glove business into that market. Instead, he finds work in the London theater, and only returns to Stratford three or four times a year. He is, in fact, in London in 1596 when his twins, Judith and Hamnet, fall ill with the plague. Hamnet would not survive. 

Hamnet is a touching story, but it is not nearly the tearjerker I expected it would be. I was far more impressed by how fully immersed I became in the late sixteenth century environment created by O’Farrell. The daily doings of the village, the relationships between the townspeople, the superstitions, and the general humanity of the characters all felt so authentic to me that I completely lost myself in that world for hours at a time. Hamnet is the kind of historical fiction I enjoy most, and it is my favorite read of 2026 to this point in the year.