
As in the first novel, Ripley becomes involved in a scheme that requires him to represent himself to the police as another person while he scurries around cleaning up the mess in which he has placed himself. I don't want to risk spoiling the book for any potential readers by getting into the details of the intricate plot that Ripley and a few co-conspirators have devised in order to exploit gullible art collectors in Europe and America. I will leave it at saying only that Ripley's sociopathic personality once again serves him well and that he obviously survives this situation to appear in three subsequent novels.
I found myself much less sympathetic and intrigued by the Ripley character this time around. Perhaps that is because I read the details of this novel in the Patricia Highsmith biography, Beautiful Shadow, which I finished last month and that left few surprises for me. Highsmith never quite made me believe that the British and French police could be as unobservant and unimaginative as they were required to be in order for Ripley to pull off another of his schemes. The vision and theme of Highsmith's work is still fascinating to me and it is probably time for me to leave Mr. Ripley behind for a while and move on to novels and short stories of hers that don't involve that particular character.
Rated at: 3.0
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