College Station, home to Texas A&M University, is only about 75 miles from my front door, so I enjoy driving up there every few months to see what might turn up in the city’s bookstores. Even though I ended up doing more selling (I hope) than buying this time around, I did come home with five additions to my home library. I’ve decided to begin selling off my collection of Civil War books, nonfiction and fiction alike, and a little indie bookstore in Bryan (College Station’s neighbor) has shown some interest in those. So there’s that.
The new book I’m most tickled about is the 1943 wartime edition of Erle Stanley Gardner’s The Case of the Buried Clock, shown above. Despite its age, there is no spotting or discoloration on any of the book’s 250 pages. Considering that this Grosset & Dunlap edition is just a cheaper edition of the William Morrow "Victory Edition"of the book, that’s a pleasant surprise. The inside flap of the book jacket says this in red letters:
This book, while produced under wartime conditions, in full compliance with government regulations for the conservation of paper and other essential materials, is COMPLETE AND UNABRIDGED.
The book’s copyright page adds this:
* VICTORY EDITION*
The typographical size and format of this book are in accordance with the paper conservation orders of the War Production Board.
I saw almost a dozen other Perry Mason books from the same era today, but the pages in all of them were so discolored that I passed on buying any but this one. From the drastic difference in its condition compared to the others on the same shelf, I don’t think it was acquired by the store from the same seller.
I also found three Carlos Ruiz Zafón paperbacks published in the UK. Two of them The Prisoner of Heaven and The Angel’s Game are part of Zafón’s well known “The Cemetery of Forgotten Books” series, a series you should definitely try if you haven’t already done so. Because I’ve not read any of Zafón’s shorter work, I’m particularly looking forward to the third, The City of Mist, a slim collection of eleven of the author's short stories. The covers of the three are very similar, so I’ll just share this one to give you an idea of what they look like:
And finally, there’s this collection of critical essays by Harold Bloom on the key works of novelists ranging from Cervantes to Amy Tan. If I’ve counted correctly, there are 77 essays, sorted by birth year, with Cervantes being the oldest and Tan the youngest. I’m really curious to see what Bloom had to say about Cormac McCarthy’s Blood Meridian because I’m still very underwhelmed by it at the 60% mark. I can tell that the collection's previous owner, a female with beautiful handwriting, started reading the collection with great intentions - but she seems to have lost interest pretty quickly. I hope I use the book more than she did.
I really enjoyed the day, so much in fact, that I plan to make a similar trip up to Huntsville sometime in June or July. Sam Houston University is the school in that town, and Sam Houston is very much a part of that city’s history. I haven’t visited for a couple of years, so it will be fun to visit Sam’s gravesite and the spectacular museum dedicated to his memory again. And maybe they have a bookstore worth visiting now…who knows?
A few of the books that belonged to my mother growing up have that wartime language and extra thin paper, which always gave me a thrill as a child. Although I don't think anyone explained to me why paper would be scarce I read enough books about rationing to figure it out.
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