If
I asked for the names ten authors, I am sure that most of you could almost
effortlessly give me a list from the tops of your heads. But if I asked for the names of even two
editors, unless you are a publishing insider, I would likely get a very
different result. That is part of the
reason that Good Prose: The Art of
Nonfiction makes for such interesting reading. The book, part writing manual, part memoir,
was co-written from the points-of-view of author Tracy Kidder and his editor of
more than 40-years collaboration, Richard Todd.
The
pair met in 1973 when Todd was assigned by The
Atlantic Monthly to work with young freelancer Tracy Kidder. Todd was the slightly older, wiser writing
practitioner who would walk Kidder through the process of getting published in
one of the country’s oldest, and most prestigious, magazines for the first time. But that would be just the beginning for
these two because that Atlantic article
would ultimately evolve into Kidder’s Pulitzer Prize-winning The Soul of a New Machine. The memories of those early days shared
by Todd and Kidder make for some rather intriguing (and heartwarming) reading
as their work relationship develops into a more enduring one of respect and
true friendship.
Winner of the Pulitzer Prize |
But,
as the book’s subtitle, Stories and
advice from a lifetime of writing and editing, suggests, it is also filled
with good advice and instruction pertaining to writing narrative nonfiction,
memoirs, and essays. The chapter on
narratives, for instance, covers details like point of view, characters, and
structure. There are also whole chapters
on accuracy, style, and “being edited and editing.” The authors also offer practical business
advice based upon the current state of the publishing industry (a glimpse of
the art vs. commerce part of the business) and encouragement to the novice
writer. Too, there is a more “nuts and
bolts” section tiled “Notes on Usage” that addresses things like the
distinctions between “which and that,” “who and whom,” and “may and might.”
Bottom
line: don’t expect a complete, detailed manual on writing because Good Prose is not that kind of
book. But, on the other hand, readers
will enjoy, and benefit from this one, as much as any budding writer out
there.
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