Despite
being clearly labeled on its cover as a “novel in five parts,” A Possible Life could just as easily
have been called a short story collection or a group of short novellas. Most
readers, I suspect, will consider the book to be a collection of interrelated
short stories.
Each
of the book’s five stories, or parts, is titled with the name and time period
of its central character, and they are presented in this order: Geoffrey, 1938;
Billy, 1859; Elena, 2029; Jeanne, 1822; and Anya, 1971. The first two stories
are set in England, the others in Italy, France, and the United States. In
each of his tales, Faulks takes his central character from relative youth to
old age, describing a lifetime during
which seemingly innocuous decisions made by them and others will determine
which of their “possible lives” will become reality.
Geoffrey
Talbot, bored with his life after university, decides to enlist in the British
Army, allowing him to cross paths with the French woman who will haunt the rest
of his days. Given up by his family because they could not afford to feed all
their children, Billy Webb spends his youth in an orphanage/poorhouse where he
meets the two little girls with whom he will grow old. Decades after Elena’s
father returns from a business trip with an orphan boy he wants to adopt, she
finally learns the truth about the love of her life. Jeanne, said to be “the
most ignorant person” in her rural French village, makes a difficult choice that
will ultimately define who she is. And, finally, Anya, an extremely talented
singer-songwriter must make painful decisions if she is to survive the 1970s
American music scene.
Sebastian Faulks |
Faulks
presents his premise that all human beings are connected, tenuous as those
links might be, by referencing the tiniest of details. Sometimes a physical
object moves from one story to another, at other times the descendent of an
earlier character appears in a later story, or a reference to the future made
in one story comes true in a second. The psychological impact of the
connections is often increased by the very subtleness of the references.
Novel,
or not, A Possible Life is definitely
memorable. Sebastian Faulks fans should
be pleased with it, and readers new to the author’s work will likely want to
read his earlier work after reading this one. They might even begin to wonder
about their own possible lives – and which one they might end up with.
(Review Copy provided by Publisher)
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