According to Olivia Hawker, One for the Blackbird, One for the Crow came to her very easily. Once she gathered up various elements of her own family history, the plot and the characters fell right into place, and even the actual writing was not that much of a chore. She still says that this 2019 novel is the "easiest" one she has ever written.
I don't know about all of that, but I can tell you that I was almost immediately taken by the setting (two 1876 Wyoming homesteads) and the tragedy/crime that bound two families so close together whether they wanted to be bound that tightly or not. After the two families find themselves both lacking an adult male as winter approaches, they have little choice but to move in together and share what they have. Any other decision will likely result in the deaths of several children and most of the livestock owned by the families.
Really, the Bemises and the Webbers were bound together long before the two women put aside their rage and pride long enough to consider what was best for the children. Ernest Bemis made certain of that when he shot and killed Substance Webber after catching the man and Cora Bemis in a more-than-compromising position. Ernest almost immediately rode the 20 miles into town to turn himself in to the sheriff, and after his trial was sentenced to two years in jail. Suddenly the women are dependent on the seventeen-year-old Clyde Webber and the sixteen-year-old Beulah Bemis to do all of the farm labor their husbands had previously done if either family were to survive the approaching winter.
One for the Blackbird, One for the Crow is a well written piece of historical fiction, one that gives a clear picture of how precarious life was in that part of the American West in 1876. It features two strong women trying to do what's best for their own families despite what has so recently torn both families apart. It is part western, part love story, and part character study. I give this one four out of five stars.
(I'm reading at a slower pace these days, and I'm finding that slowing myself down has made me look at novels in a slightly different way. I'm catching more details and nuances now, I think, than I have for a while - and I'm enjoying that.)




