Detroit Breakdown
is the third book in D.E. Johnson’s Will Anderson/Elizabeth Hume series. The
book (following The Detroit Electric
Scheme and Motor City Shakedown)
is set in 1912 Detroit, and focuses on fictional events inside the real-life
Eloise Insane Asylum located just outside the city.
Elizabeth is shocked to learn that her cousin, a patient in
the asylum, is being accused of the murders of several of his fellow
patients. Each of the victims has been
strangled by a “Punjab lasso,” the weapon-of-choice of the Phantom of the
Opera, himself – and Robert has been found leaning over the body of the latest
to suffer that fate. Elizabeth is
certain that her cousin is not a murderer, and she is determined to prove his
innocence. And Will, wanting desperately
to prove his love for Elizabeth, decides to investigate the murders from the
inside – by having himself committed to the asylum as a mental patient.
Elizabeth, with the help of Detroit Police Detective
Riordan, also plays a key role in the investigation. Not only does she penetrate the walls of the
asylum as a volunteer worker, she and the detective follow all leads pointing
outside Eloise. But when Will’s scheme
is exposed, and he finds himself at the mercy of a doctor who has everything to
lose if exposed, the dual investigations become a race against the clock.
Author Dan Johnson, a native of northern Michigan, is both
an amateur historian and the grandson of a former Vice President of Checker
Motors. He combines his love of history
and his keen appreciation for early automotive pioneers to create a noirish
setting for 1912 Detroit. The city’s
streets are filled with competing horse-drawn buggies, electric cars, and
gasoline-powered vehicles – while its alleys are often filled with huge,
stinking mounds of horse manure and garbage.
Street crime is rampant, cops are as crooked as those they chase, and
insane asylums are places where the inmates are often no crazier than the
guards who abuse them on a regular basis.
D.E. Johnson |
One might be tempted to say that not all that much has
changed in Detroit in the past 100 years, that today’s problems are very much
like those of 1912 Detroit. What Johnson
makes clear, however, is that it was much more difficult to be poor in 1912
Detroit than it is in the Detroit of today.
Then, the wealthy lived a spectacular lifestyle while everyone else, the
vast majority of the city’s population, struggled just to keep their families fed
and clothed. Those were heady days for
those who had the money to enjoy the beautiful restaurants, theaters, parks,
and other luxuries the city offered.
Johnson vividly captures both lifestyles in Detroit Breakdown and shows what might happen when those two worlds
even briefly intersected.
Will Anderson and Elizabeth Hume (even Detective Riordan,
for that matter) already share a lot of history by the time Detroit Breakdown begins.
Although Johnson makes a valiant effort to bring new readers up to
speed, I suspect that those having read the first two books in the series will
have a much better appreciation of characters and motivations than readers
jumping in at book-three as I did. That
is not to say that Detroit Breakdown
does not work well as a standalone novel, because it does – only that the
experience is likely to be a much richer one for readers more intimately familiar
with the events of The Detroit Electric
Scheme and Motor City Shakedown.
(Review Copy provided by Publisher)
Debbie, your comment is not showing up for some reason. I can see it in my email alerts but not on the blog...first time that's ever happened. I agree with you that some series really should be read in order - this does appear to be one of them.
ReplyDelete