Scandinavian-authored crime fiction has taken the world by
storm and, like many readers, I have read numerous crime fiction novels from
that part of the world in the last two years.
Of the several authors whose work I have sampled, Karin Fossum has
emerged as my favorite – and her latest, The
Caller, reminds me why that is so.
Some of Fossum’s colleagues use such spectacular crimes and
criminals in their books that they are, in the end, completely unbelievable because
it is difficult to take some of their super-villains very seriously for an
entire novel. Fossum’s books, on the other hand, have realistic settings that
focus on the types of situation one is more likely to encounter in the real
world – painting a truer picture of contemporary Norwegian life, in the process.
Because her characters, both the bad guys and their victims, are believable and
understandable, Fossum’s novels have a more ominous feel about them than the
more incredible ones. And it does not
hurt one little bit that her wonderful Inspector Sejer is at the heart of every
story.
This time around, someone seems to be playing games with people’s
minds in a series of vicious pranks that are leaving deep emotional scars on
the chosen targets. It starts one summer
day when a young mother goes outside to retrieve her napping baby and finds the
child covered in blood. Thankfully, when
Inspector Sejer arrives at the hospital, he learns that the baby is not covered
in its own blood. The harm, however, has
been done, and the repercussions of the emotional trauma suffered by the baby’s
parents soon threaten their very marriage.
When Sejer receives a hand-delivered card promising that “hell begins
now,” he understands just how important it is for him to stop the heartless
prankster.
Karin Fossum |
The Caller is not
a book about a horribly violent crime.
It is more a psychological crime thriller reminding me of the work of
Ruth Rendell, especially when Rendell writes under her Barbara Vine
pseudonym. The bad things that happen
are, in a way, accidents resulting from carelessness on the part of a young man
who does not bother to think about the consequences of his decisions. He is clever - but naïve about the ways of
the world – and his victims pay a much steeper price than he ever imagined for
them.
Fans of Karin Fossum will be pleased to hear that many (I
agree with the assessment) consider this to be the author’s best work since The Indian Bride - and that one is a
masterpiece of its type.
(Review Copy provided by Publisher)
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