Already twice a winner of the prestigious Booker Prize,
Peter Carey now offers his readers The
Chemistry of Tears, a complexly constructed study of grief and
self-identity set in contemporary London.
Despite its modern-day setting (2010), however, the novel can also legitimately
be called historical fiction as much of its story is lifted directly from the
pages of a nineteenth century Englishman’s personal diary.
Catherine Gehrig is a conservator at the Swinburne Museum
whose thirteen-year affair with a married colleague is still a mostly well-kept
secret. As far as she knows, no one at
the museum suspects that she and Matthew Tindall, one of the museum’s head
curators, have a relationship of that sort.
Their secret is so successfully kept, in fact, that when Matthew dies
suddenly, Catherine is among the last of the museum employees to get the
news. Now, her whole world in turmoil,
she must pretend that she has not been emotionally crippled by her devastating
grief.
Fortunately for Catherine, her boss - the one man who now
seems to have been aware of the affair – places her on immediate sick leave
before transferring her to a more isolated museum annex to work on the unusual
project he has chosen for her. There Catherine
finds eight boxes filled with the diagrams and mechanical parts needed to
restore and assemble what appears to be a160-year-old duck automation. It is when she discovers a series of
notebooks relating to the origin of the automation that Catherine becomes
obsessed with her new assignment.
Carey will, from this point, alternate accounts of
Catherine’s life with pages taken from the notebooks of Henry Brandling, the
Englishman who originally commissioned the amazing automation she is working to
reconstruct. Brandling, a man completely
devoted to his sickly young son, hopes that the boy will be so taken with the
mechanical duck that he will somehow find the will to conquer the disease that
is slowly killing him. Brandling’s
willingness to do whatever it takes to keep his son alive brings him to a tiny
German village where he falls into the hands of a strange clockmaker who will
drive him closer and closer to despair.
Peter Carey |
The Chemistry of Tears
tackles complex human emotions, emotions that probably have to be personally
experienced for one to comprehend their full impact on the human psyche. Catherine’s entire identity, the person she
believed herself to be, was defined by her affair with Matthew Tindall. When Matthew died, the old Catherine Gehrig
died with him, and now she is working just as hard to reconstruct a self-identity
for herself as she is on rebuilding the antique mechanical duck. Whether or not she can succeed with either
project is the question.
The Chemistry of Tears
is a moving novel, one that will especially speak to those readers who have
suffered a level of grief similar to Catherine’s. While it is not a long novel, it does suffer
a bit from an overabundance of mysterious side plots pertaining to the
tribulations suffered by the automation’s original owner. Readers, however, should not be overly
discouraged by this because The Chemistry
of Tears is well worth the effort required – and each of the side plots
contributes to the book’s atmosphere or depth of the Henry Brandling character.
Just about every Peter Carey novel I've ever heard of, including this one, sounds fascinating, but I've yet to make it all the way through one. I think it's because eventually the gimmick, which they all seem to have, wears thin for me. Actually, they wear thin pretty early rather than eventually.
ReplyDeleteThis one, however, sounds not all that gimmicky so I may give it a try.
James, I suppose the "gimmick" here is the use of the diary pages for much of the narrative...and, honestly, that's why the book drags a little at times. Too many strange side plots (of a strange nature) to keep up with and they sometimes slow down the real story. But well worth the effort, I do believe.
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