Tuesday, October 26, 2010
The Paris Vendetta
Thorvaldsen, however, is still consumed by the knowledge that the two men most responsible for the Mexico City massacre are still alive. He wants them dead, and he is hoping that Cotton Malone will help him make that happen. Malone is sucked into Thorvaldsen’s plot early one morning when his bookstore is invaded by an American agent running for his life. Soon, the bookstore has been shot up and the two men are on the run.
Malone will learn that one of the men being sought by Thorvaldsen is a British aristocrat who is involved in a plot with a group of financial experts to undermine the world’s economy so that group members can profit from the ensuing chaos. As if that were not enough, the British millionaire is also on a mission of his own to find the looted treasure Napoleon supposedly hid before his exile to Corsica. Unfortunately for him, however, he is not the only one hot on the trail of clues needed to pinpoint the treasure’s final resting place.
The Paris Vendetta serves up typical thriller material. Cotton Malone is a likable character, as are most of those he ends up working with in his attempt to save the world from what The Paris Club has planned for it. In the manner of James Bond and Mission Impossible, Malone also finds himself dealing with a hired terrorist determined to destroy a Paris landmark. His efforts to stop the terrorist are so spectacular that Malone often seems only a step or two short of qualifying as a bona fide super hero.
The most interesting character in the book is Henrik Thorvaldsen, a good man so caught up in grief over the way his son died that he is willing personally to murder the men responsible for that death. Nothing else matters to him anymore. Malone wants to help Thorvaldsen find peace, but for complicated reasons involving The Paris Club and the U.S. Department of Justice, he finds himself opposing the efforts of his old friend.
While The Paris Vendetta has its moments, it is too similar to all those other modern day thrillers out there to stand out as anything very special. Steve Berry’s novel is better written than most thrillers in the sense that he treats history with more respect than most thriller writers do. The problem comes from the feeling one gets that plots like this one have already been written too many times.
Rated at: 2.5
(Review Copy provided by Publisher)