Ian McEwan has written a complicated, multi-layered book that is simply beautiful when considered as a whole. It is a coming-of-age novel, a crime novel, a love story, a war novel, a mystery and an author’s reflections on the art of fiction writing, all rolled into one. The book is structured in three distinctive sections, each with a very different story to tell, and an epilogue that flashes forward more than 50 years.
Part One, set in 1935, introduces thirteen-year old Briony Tallis, an aspiring novelist even at that age, who has a vivid imagination but a limited understanding of the motivations and emotions of the adults around her. Her imagination takes over when from a distance she witnesses a scene between her older sister, Cecelia, and the charwoman’s son, Robbie, at the fountain in front of the family home. Imagining that Robbie has forced her sister to strip to her underwear and immerse herself in the fountain, Briony is filled with conflicting emotions. As the day goes on, she becomes more and more certain that Robbie is a danger to her sister and is so convinced that he is evil that her imagination leads her to identify him as responsible for a sexual assault that occurs that night.
Part Two picks up the story some five years later in
Part Three focuses on the now eighteen-year old Briony who has moved to
Finally, there is the epilogue set in 1999 in which Briony, now a respected elderly novelist joins family to celebrate her seventy-seventh birthday, a section of the book in which McEwan has stashed one final surprise for his readers. This is an ending that readers will likely react to differently, some in surprise, some in admiration, and others in frustration and even a little anger.
Atonement paints a vivid picture of pre-war
I may have gotten there late but this is one party I’m happy I didn’t miss.
Rated at: 5.0