Although this is just my second experience with a Haruki Murakami novel, I’ve learned that he is immensely popular in his home country of Japan. In its first week alone, one million copies of Colorless Tsukuru Tazaki and His Years of Pilgrimage were printed - and by the end of its first month in publication, all but 15,000 of those books had been sold. And from what I’ve read, this is not uncommon in Japan for a new Haruki Murakami novel.
“A unique sense of harmony developed between them - each one needed the other four and, in turn, shared the sense that they too were needed."
Tsukuru Tazaki is a thirty-six-year-old designer of Tokyo train stations who has been in a relatively deep depression for the last sixteen years - ever since the day he was mercilessly kicked out of the close-knit group of five high school friends that had sustained him through the ups and downs of his high school years. Tsukuru was the only one of the five to leave home to attend college in Tokyo, but he managed to stay part of the group by returning on weekends and holidays to spend almost the entire visits home with his friends. His family barely saw him.
But suddenly, and totally without warning or any kind of explanation from any of his friends, Tsukuru was cast out of the group. Today it’s as if Tsukuru is stuck in some kind of emotional loop because he still feels such a deep pain from being cast out of the group that he sometimes considers suicide to be his best option. But now, Tsukuru has a new woman in his life who will not commit to a deeper relationship unless he finally confronts what happened to him all those years ago. She wants to start with a clean slate.
So Tsukuru is off on a quest, one that could finally give him the peace he needs to get on with the rest of his life - or not.
I didn’t know what to expect from Colorless Tsukuru Tazaki and His Years of Pilgrimage when I began it, and that’s probably a good thing because I likely would not have picked it up if I had. This is a novel about loneliness, rejection, and self-identity. It tells a rather dark story, and maintains a hint of sadness even as Tsukuru edges closer and closer to learning the truth about why he was so suddenly ostracized by four people he once considered family. It is beautifully written and translated, and if you are in the mood for something like this, it will leave you with a lot to think about.
This sounds intriguing to read when the moment is right. I have been reading some Japanese healing fiction and they are quite light. They often feature cats, the ones I have read.
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