Norman Lock is no stranger to historical fiction and A Fugitive in Walden Woods is, in fact,
his fourth in what the author calls his “The American Novels” series. The first three books in the series are: The Boy in His Winter (based upon
Twain’s The Adventures of Huckleberry
Finn); American Meteor (an
“homage” to Walt Whitman and William Henry Jackson); and The Port-Wine Stain (the author’s tribute to Edgar Allan Poe and
Thomas Dent Mütter). Lock uses each of
the books in the series to remind the reader that the greats of the past he
writes about were human beings just like the rest of us, people who struggled
with their own weaknesses and circumstances just as mightily as we all do in
this more modern world. Doing so reminds
readers just how special were the accomplishments of Lock’s central characters,
and will likely lead to a renewed and even greater appreciation of their work
and lives.
A Fugitive in Walden
Woods features a handful of American transcendentalists in the mid-1840s,
men like Henry David Thoreau, Nathanial Hawthorne, Ralph Waldo Emerson, and
William Lloyd Garrison. Among these
greats of their time, the author inserts a runaway slave from the South, one
Samuel Long, a man so desperate for freedom that he is willing to chop off his
own hand rather than to remain shackled to the fence post to which he is
bound. Lucky enough to stumble into the
hands of the Underground Railroad, Long eventually lands in Massachusetts where
he is placed into the care and protection of Emerson.
With Emerson’s help, Samuel Long is installed in a shack in
Walden Woods, a relatively remote location that Emerson and his friends hope
will keep Long safe from the “man-hunters” who have made a brutal art of
returning runaways to their owners in the slave states. As luck would have it, Long’s nearest
neighbor is none other than Henry David Thoreau who is living alone in Walden
Woods as he prepares the journal that will soon enough become Walden, Thoreau’s much-studied classic
account of that experience.
A Fugitive in Walden
Woods primarily focuses on the relationship between Long and Thoreau. Understandably, Long is slow to trust the
motives and hidden thoughts of white men, but almost despite himself, the slave
develops an admiration for the almost innocent honesty with which Thoreau
expresses himself and presents himself to those he encounters along the way. Thoreau, on his part, admires the strength
and courage he sees in Samuel Long and treats the man as his equal, nothing
more and nothing less. As the
relationship between the two men develops over the months, Thoreau’s time in
Walden Woods comes to life for the reader just as Samuel Long himself
comes-of-age in his own new world.
The real beauty of books like A Fugitive in Walden Woods can be best expressed in a quote Samuel
Long recalls in conversation with Emerson or Hawthorne – he is not entirely
sure which it actually was: “Reading is our recompense for having only one life
to live.” Norman Lock has given his readers the chance
to live a different life than the one they know best.
(Review Copy provided by Publisher)
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