Even the Dead is
the seventh of Benjamin Black’s Quirke books, a series that began in 2006 with Christine Falls (published in the U.S.
in 2007), the book that first introduced the Dublin pathologist to the
world. And, as befits a man whose life
is the subject of six previous crime novels, Quirke is a man with a past, and
it is a rather complicated past, at that.
But because Even the Dead is
my introduction to Quirke, I’ve had to piece that past together as best I can
from what the one book reveals.
I gather that Quirke is a man with a drinking problem bad
enough to impress even those who set their drinking standards by the norms of
Dublin’s drinkers. But he has an even
bigger problem than that one because a severe beating he endured several years
earlier has come back to haunt him. In
recent months, hallucinations, problems staying in the moment, and other concentration
difficulties have made it impossible for him to do his job. Quirke’s personal life is nothing to write
home about either. Quirke is a widower
who, in his immediate grief at the loss of his wife, asked his half-brother to
adopt and raise his new daughter, Phoebe, as his own child. And now, all these years later (the books are
set in the early-to-mid 1950s), even though Phoebe knows the truth about her
parentage, Quirke’s relationship with his daughter is more one of uncle-niece
than father-daughter.
Author Benjamin Black |
Simply put, Quirke is not a happy man, and after a brain
specialist tells him that his latest setbacks are the result of too much
sitting around, combined with “nervous tension,” he is a frustrated man as well
as an unhappy one. So when invited to
give his opinion on the head injury found on the corpse of a young man who
burned to death inside his sports car after slamming it into a tree, Quirke
jumps at the chance to get back in the game.
Now, convinced that the young man’s death is neither an accident nor a
suicide, Quirke and his longtime friend Inspector Hackett want to know who
killed him and why they did it.
Even the Dead is
an intensely atmospheric look at a city, and a country, still very much under
the thumb of the Catholic Church of its day.
1950s Dublin, at least as Benjamin Black portrays it, is a city whose
most powerful figure is the Archbishop, a man everyone else with any pretense
of power strives to keep happy. The
church controls more than the souls of Dublin’s people, it controls everything
about their daily lives. And the man
calling the shots for the church shows them little mercy. A lot of dirty money is being made by a lot
of dirty people.
Now Quirke and Hackett need to find a way to stop them.
(And now I need to go back and read the first six Quirke
books because Quirke is a man I want to know more about.)
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